george van eps harmonic mechanisms pdf

4: *The average business card is about seven thousandths of an inch thick.
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Im not a musicologist as such, but, as far as I know there are no set formulas or rules for progression, just as there are no set formulas or rules for taste.The only real test for music typing master 2002 full version crack is time does it wear well, does a person want to hear it again and again, or is once enough?Always remember that vibrating strings make the iti fitter theory books pdf space for fingers much much smaller.Progression is the very heart of music and that is why short, and semi-long progressions must be worked with and studied carefully in order to be able to understand the complete freedom voices can enjoy.Voices can go any direction at any time, the harmony can ascend, descend, move sideways, zig-zag, etc.In other words, an error of three and one half thousandths of an inch will stifle the notes on the adjoining strings.Experimenting with, and taking advantage of all the opportunities and possibilities these switch tracks provide is, I believe, the best teacher.In the hope that it may inspire some of you here are some great ideas from George Van Eps; Harmonic Mechanisms Vol.
When an inner voice is moving on the 2nd, 3rd, 4th, or 5th strings while the adjoining strings are sounding the fingers only have half the thickness of that card to play with.
Progression is a wonderfully exciting independent form that does not have to belong to any one key or mode.I like to think of the term progression as a huge, constantly flowing river of ever changing musical tones that can be tapped into from all angles and attitudes, upstream, downstream, midstream, bottom, top, etc.When an inquisitive artistic mind taps into this river of flowing tones, the results are usually very interesting, and many times, exciting.Pg.173: Every step in a progression, long or short, is a musical switch track so to speak, that can send the voices in many different directions.178: When lines are in motion, independent of each other, and are flowing freely they should not be frozen into chords as such, because then they are taken out of context, progression is motion.Most of the time progressions are a mixture of all the afore mentioned and the musically artistic result depends in the composers sense of balance, proportion, and taste.I dont mean to infer that progressions are things set apart from the music itself.I sincerely hope some of these ideas will inspire some of you to delve more deeply into your studies and playing. .173: *Websters Dictionary describes the meaning of the term progression in these words; the movement of musical parts in harmony Also; A succession of musical tones *Moving one or two notes just one half tone almost always changes the musical meaning and direction.Progressions come in all sizes, they can be smooth and flowing, while others can be quite disjointed and still sound pleasing to the ear.